Albert Wesker (
manufactured) wrote in
recolle2018-08-26 05:17 pm
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[OPEN] Prick your fingers, it is done, the moon has now eclipsed the sun
WHO: Albert Wesker (eventually) and whomever decides to join him (presumably you!)
WHERE: Dreamscapes.
WHEN: Slightly backdated to 8/24.
WHAT: Dreamdiving.
WARNINGS: Medical experimentation, brainwashing, child abuse, violence, body horror, depictions of self-harm, a general blanket warning that Wesker has been through Some Shit and as such this is probably going to suck on several levels.
[It's cold.
It isn't the familiar drop in temperature that might come from the weather, but a sterile, artificial chill, the sort associated with medical work - hospitals and laboratories and other places that bring with them a sharp, chemical smell and an unpleasant sense that you don't really want to be there.
Of course, the metal table against your back probably isn't doing much to keep you warm, either.
Trying to sit up will be a bit of a problem, given the heavy restraints locked around your wrists and ankles, your hips and your upper body; they're a combination of metal and leather, old-fashioned and imposing, clearly designed to restrain something very, very powerful, and they're keeping you from going very far. You can look around enough to tell that where you are is...probably not somewhere you want to stay for long - it is, in fact, a laboratory of some sort, full of instruments and vials and jars of things that don't look very nice, the metal walls giving way somewhere just on the edges of your line of sight, turning into something else - a sort of open entrance to what looks like a cave of some sort. Either way, it'll probably take you somewhere that isn't here if you follow it. Tipping your head back will show another potential exit to the area - a metal door in the wall near all the instruments and materials.
Of course, you can't really utilize either route if you're bound down, now, can you? You should probably work on figuring out what you're going to do about that, first.]
WHERE: Dreamscapes.
WHEN: Slightly backdated to 8/24.
WHAT: Dreamdiving.
WARNINGS: Medical experimentation, brainwashing, child abuse, violence, body horror, depictions of self-harm, a general blanket warning that Wesker has been through Some Shit and as such this is probably going to suck on several levels.
[It's cold.
It isn't the familiar drop in temperature that might come from the weather, but a sterile, artificial chill, the sort associated with medical work - hospitals and laboratories and other places that bring with them a sharp, chemical smell and an unpleasant sense that you don't really want to be there.
Of course, the metal table against your back probably isn't doing much to keep you warm, either.
Trying to sit up will be a bit of a problem, given the heavy restraints locked around your wrists and ankles, your hips and your upper body; they're a combination of metal and leather, old-fashioned and imposing, clearly designed to restrain something very, very powerful, and they're keeping you from going very far. You can look around enough to tell that where you are is...probably not somewhere you want to stay for long - it is, in fact, a laboratory of some sort, full of instruments and vials and jars of things that don't look very nice, the metal walls giving way somewhere just on the edges of your line of sight, turning into something else - a sort of open entrance to what looks like a cave of some sort. Either way, it'll probably take you somewhere that isn't here if you follow it. Tipping your head back will show another potential exit to the area - a metal door in the wall near all the instruments and materials.
Of course, you can't really utilize either route if you're bound down, now, can you? You should probably work on figuring out what you're going to do about that, first.]
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...Your aim is better with that thing than I'd think.
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It's a stupid weapon and whoever first decided to use it as a weapon was a moron, but unfortunately it's the weapon I have experience with.
[One ankle free...]
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I can't say I know what he's so upset about. His life was fine with us, before he decided to leave.
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[Even if this were the real Birkin, he probably wouldn't bother.
Other ankle done, that just leaves hips and upper body. He'll start with hips.]
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[He shrugs, though.]
Do you even know where you're going after this? Other than "out of the room." Which is fair.
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[He sort of doubts that Birkin has good ideas.]
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I mean, it's a fair guess? I'm never really too sure where he goes, I just know when he deigns to come back. Sometimes he's gone for a while; last time I saw him before this was years ago, but that's because he was on assignment.
No idea where he went now.
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[Guessing not! But might as well talk while he's moving onto getting that other hip restraint off.]
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[He did say it was safer in here...]
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[Alas, poor fucking Lisa.]
Of course, it's possible he'll just try to kill you himself, if he gets agitated enough. He's kind of like that sometimes, depending on his mood.
I'm not here to kill you, though. It's not really my area of expertise. Annette wouldn't hesitate to, though, if you decide you're going to rip my head off anyway.
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[Hip restraints done, it's on to the last two restraints and then he's Free.]
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[...He does not sound bothered by that notion.]
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That's fair. But I'm still not going to do anything except in self-defense.
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That's probably the best way to do it around here, actually. Don't give anyone a reason to kill you and keep your head down, and usually that works out pretty well.
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[One restraint left...]
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I don't hand out maps to the place or anything, but it's not like I'm going to be going far - I've got work to do. So if you get completely lost, coming back here's an option, I guess.
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[Last restrait is off. Shuji sits up, stretching out his limbs instead of just immediately standing up and probably falling over like an idiot.]
God, that's so uncomfortable.
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[...birkin there are some things you just aren't supposed to be casual about]
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[Okay, now Shuji stands up.]
Later.
[And he's headed toward the cave-looking exit.]
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While the juxtaposition of the lab and the cave seenms odd at first, it isn't long before it begins to blend more naturally; there are sconces on the walls giving the entire thing a deep, bronzed glow that's more than enough to see by.
Eventually there comes a split in the path; one leads to what looks like higher ground, still subterranean but leading on a gentle upward slope that seems to fade away into darkness. The other seems to dip down slightly as it leads off, into water that can't be more than ankle-deep, but the lighting seems to be more consistent.]
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In reality he just immediately takes the path that doesn't head into water. It might be ankle-deep now, but who knows how long that will last.]
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The path is quick to narrow out through here, leading into a tunnel both claustrophobic and dark; when the blackness and the shadows are finally pierced by light it may take a moment for your eyes to adjust. It's another of those sconces set into the wall, burning brightly and illuminating a pair of people occupying a curve in the path. One is lying on the ground; another is kneeling over them as though trying to take vitals.]
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this past week has been a travesty
everything happens so much
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