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open | what misadventure is so early up
WHO: ANY & ALL
WHERE: Recollé Community Center
WHEN: March 15th, Afternoon/Evening
WHAT: Auditions and sign ups for the Community Production of Romeo & Juliet.
WARNINGS: N/A, perhaps for language, will update as necessary.
Sign-ins for auditions and sign-ups for production crew in all aspects are at the table in front of the stage; the director and another community arts program associate can be found there. After signing in, those auditioning for parts are invited to pick up and share one of pamphlets with selected scenes from the play itself:
WHERE: Recollé Community Center
WHEN: March 15th, Afternoon/Evening
WHAT: Auditions and sign ups for the Community Production of Romeo & Juliet.
WARNINGS: N/A, perhaps for language, will update as necessary.
Sign-ins for auditions and sign-ups for production crew in all aspects are at the table in front of the stage; the director and another community arts program associate can be found there. After signing in, those auditioning for parts are invited to pick up and share one of pamphlets with selected scenes from the play itself:
Act I, Scene I: Where Gregory and Sampson fight with Abraham and Balthazar.Details and scheduling on props, costumes, setting pieces, and the rest are all a mess of discussions throughout the night; the director takes a few breaks for refreshments, leaving the auditorium and falls and the rest of the community center proper (along with the grounds around the community center) for people to practice before their time comes to be up on stage.
Act II, Scene II: The infamous balcony scene between Romeo and Juliet, from Romeo's "But, soft! what light through yonder window breaks?" to Juliet's "How camest thou hither, tell me, and wherefore?"
Act III, Scene I: Where Mercutio and Tybalt fight, only for Romeo to interrupt and Tybalt to stab Mercutio under Romeo's arm. From Tybalt's, "Follow me close, for I will speak to them." to Mercutio's "Come, sir, your passado."
And a fourth, randomized scene that doesn't appear to be the same amoung all the pamphlets. The director will be keeping things rolling by tossing auditioners on stage and ushering seconds to read parts if people aren't presenting in pairs; the monologues he waves off, saying he's more interested in the dramatics of people's on stage chemistry than their ability to drone on to the audience alone.
no subject
[Seriously no one says that and he shifts around feeling weird]
If you bomb on accident, it won't be as funny so no I wouldn't laugh. [He shrugs] And if you do, that's fine. You just learn from your mistakes and try again. That's how it goes in entertainment.
Not like there won't be another Shakespeare play.
no subject
Anya turns the words around and wonders if that's okay. But it's okay even if she bombs it? But at least her friend won't laugh at her... So she seems to accept that, nodding.]
Ah... No, I do believe that Noah is kind. Thank you.
[and at that she'll turn to Yuri and smile]
See, Yuratchka? Xорошо!
["Noah is a Good."]
no subject
Mm.
( flicking his gaze toward Noah, he speaks: )
Being direct works best with her.
( in case he's missed out on that fairly obvious fact (in yuri's opinion) he lets it be clear now. he makes a shooing gesture with his hands, urging anya onward. )
We have to sign in.
no subject
[Jeez Anya, why are you always so nice, he gives a little huff and looks away. Oh good, at least Yuri seems to be shooing her off. He sinks into his chair]
Tch, whatever. Go sign in.
And, uh, break a leg.