open | what misadventure is so early up
WHO: ANY & ALL
WHERE: RecollΓ© Community Center
WHEN: March 15th, Afternoon/Evening
WHAT: Auditions and sign ups for the Community Production of Romeo & Juliet.
WARNINGS: N/A, perhaps for language, will update as necessary.
Sign-ins for auditions and sign-ups for production crew in all aspects are at the table in front of the stage; the director and another community arts program associate can be found there. After signing in, those auditioning for parts are invited to pick up and share one of pamphlets with selected scenes from the play itself:
WHERE: RecollΓ© Community Center
WHEN: March 15th, Afternoon/Evening
WHAT: Auditions and sign ups for the Community Production of Romeo & Juliet.
WARNINGS: N/A, perhaps for language, will update as necessary.
Sign-ins for auditions and sign-ups for production crew in all aspects are at the table in front of the stage; the director and another community arts program associate can be found there. After signing in, those auditioning for parts are invited to pick up and share one of pamphlets with selected scenes from the play itself:
Act I, Scene I: Where Gregory and Sampson fight with Abraham and Balthazar.Details and scheduling on props, costumes, setting pieces, and the rest are all a mess of discussions throughout the night; the director takes a few breaks for refreshments, leaving the auditorium and falls and the rest of the community center proper (along with the grounds around the community center) for people to practice before their time comes to be up on stage.
Act II, Scene II: The infamous balcony scene between Romeo and Juliet, from Romeo's "But, soft! what light through yonder window breaks?" to Juliet's "How camest thou hither, tell me, and wherefore?"
Act III, Scene I: Where Mercutio and Tybalt fight, only for Romeo to interrupt and Tybalt to stab Mercutio under Romeo's arm. From Tybalt's, "Follow me close, for I will speak to them." to Mercutio's "Come, sir, your passado."
And a fourth, randomized scene that doesn't appear to be the same amoung all the pamphlets. The director will be keeping things rolling by tossing auditioners on stage and ushering seconds to read parts if people aren't presenting in pairs; the monologues he waves off, saying he's more interested in the dramatics of people's on stage chemistry than their ability to drone on to the audience alone.
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[ it's like dancing, kind of, except it isn't. but it's just holding a prop and copying what someone else is doing with their body, which he's done a million and one times since he was a kid. not usually with a prop, admittedly, and usually with let trying to hit someone, but hey.
as with the other movements, dave will try the upward slash in a slow motion with a stab on luke, fully secure in the knowledge he can't take the dude on seriously with a two minute lesson. haha. ]
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Nice. See, the advantage you have is being light on your feet and knowing how to throw your whole body into motion without overbalancing. A lot of people make that mistake their first time and end up eating it.
[He backs up again, readjusting his grip on his sword.] Come at me again. I'm going to block your hits but I want you to keep going until one of us counters. Same moves all the way through, stabs and slashes. Try to see what works best, I want to see what kind of style you have. [Perhaps he's not the best teacher, but as far as Luke figures this makes more sense than firmly disciplining him just yet.]
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dave readjusts his grip again, checking it against luke's, before nodding. ]
All right, then. At which point I assume you're gonna amp it up to tryin' to have me block shit while you attack, too?
[ he has no idea. either way, dave proves exactly as good a student as he has been previously: he does as requested and darts forward, and while he suspects luke will block everything he aims only for places he's pretty sure wouldn't hurt if he actually, like, connected. so sue him, dave strider is a Good Kid. ]
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Better. Keep it up for as long as you can. [The thing is that his blocking strategy seems to be changing. Instead of using the tip of his foil to try and redirect him, he's using more of his blade to catch each hit. He appreciates Dave not, like, actually hitting him.] What's your stamina like usually?
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[ he's athletic, just not with Sports. how do Sports work? dave strider isn't sure. this sword suddenly feels more and less familiar at once. a fencing blade isn't something he's ever used, and this particular method of fighting isn't, either - but something that he'd hold moreso with both hands, and a less rule-abiding method of fighting...
that rings a bell.
he doesn't shift his posture, exactly, but dave feels a little easier with the blade, and this time he's going to attempt to disarm luke based on a vague intuition that's a thing you can Do. ]
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It's enough that his grip on the prop sword loosens and Dave's able to disarm him. He doesn't immediately move to pick the sword up but rather he's staring at Dave for a moment before his lips press into a thin line.]
There you go. It's not the most conventional method to disarm but that'll do it. [Give him a moment to move and pick up the sword once more.] You're thinking about it less. That's good. Once I teach you blocking you'll have the idea of the basics.
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no. it mostly felt weird. ]
And then we, what, do a practice match? Three musketeers it up in a duel to the embarrassed?
[ jokes are always dave's main mode of defense. ]
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Depends. How badly do you feel like embarrassing yourself in a duel against me? I wouldn't say no to a practice match once you get the skills down though.
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[ a shrug. ]
Sometimes it's a good way to learn?
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[Without warning he swings, slowly at the last minute just enough to give Dave time to try and defend himself.]
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Push back on it now. You're keeping your ground which is great but you need to get the upperhand somehow. What's your instinct?
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so he tries to go with his instinct, which is side-stepping and then trying to dart in to luke's side. ]
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Exactly. Those are your basics. [He pauses, making a face before he shrugs a bit.] Fencing requires a whole specific set of rules and proper form, but for something like this improvising isn't necessarily bad. An opponent isn't going to follow rules and it's not going to be a neat and clean fight most of the time. Being able to think on your feet is a huge asset. Nice job.
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[ maybe kick him out for just all those words said together tbh? ]
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Sure, something like that. Let's run it again and see if you can keep up. [And from here we can probably wrap and handwave that they continued on for a while.]
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[ AND THEN THE THREAD ENDED. TA-DA. ]