minato arisato (
compendiem) wrote in
recolle2018-02-15 12:40 pm
[OPEN] you will be given one day
WHO: Minato & OTA
WHERE: around the city
WHEN: noon 2/15-noon 2/16
WHAT: packs for a camping trip two weeks late bc this is his life
WARNINGS: none
i. around town
[ Minato wants to sleep so, so, so, so bad, and looks like he needs it— dark circles under his eyes, disheveled hair, feet that drag and wear down the bottoms of his shoes when he makes a beeline straight for home. First things first, check that the cat's still alive. Second, resist the siren call of bed so he can take a quick shower, grab some clothes out of the closet, empty the cupboards and set aside some bags next to the front door to pick up later. Zee had called it a vacation, and he knows he should try to get some proper rest, but he can't. It's a supply run day, and he needs to make every minute count.
Grocery store for food. The pharmacy for meds. Charger, battery, extra socks, a package of Kobe beef that he weighs in one hand and deliberates whether he should buy this (he buys this). Both sleeping pills and energy drinks, as if he can't decide how to live, and honestly, he doesn't.
It feels like end times, a little, him way out of his element and wondering what is he even doing? Why is he doing this? What's the point. Everything gets dumped into the trunk of his car, but then he just. leans back against it, hands smothering his face and looking like he wants to scream or cry but can't do either, so he just hisses a long sigh through his teeth. He wants to sleep, but he can't. Not yet.
ii. velvet room
[ When he does sleep, it's past midnight and he doesn't go home. He goes to the Velvet Room next to Pizza Port so he can crash somewhere that's hopefully deserted like it's always been the handful of times he's gone inside, the elevator music being all that lifts his feet from step to step as it fills his soul with calm.
He's walking right past that dinky little chair and crashing on Igor's couch; he's not here, he can't stop him. ]
(note: only Persona protags/Liz may enter the Velvet Room, but those with high spiritual sense can notice the door and call out to Minato trying to open this fake door at the dead end of an alleyway)
iii. waffle house mailbox
[ The first afternoon was a supply run, thrown together feverishly but it'd gotten done, so the next morning, Minato makes sure to drop off his apartment rent for the next two months in case Zee needs them held hostage for that long, and his last stop for the day is the mailbox in front of the waffle house. He looks at the ticket in his hands:
"bat with nails driven into it"
and prays this isn't a live bat. He gets his wish, but who knows if this is any better? Those sure are nails jutting out of the wooden bat, rusted but sharp when Minato almost drops it in surprise, covered with so much blood that it's soaked into the wood and the cloth grip and would be impossible to wash out.
A smarter person would stick this right back into the mailbox before somebody can see. Minato is not that smart a person, so there he goes dragging this bloody nail bat throughout town, head bowed with his hair overshadowing dark eyes and looking very much like he's out to kill. He just. Really wants to go home and sleep. ]
wc.
[ general meetings; he can be found anywhere around town, so feel free to make up a location ]
WHERE: around the city
WHEN: noon 2/15-noon 2/16
WHAT: packs for a camping trip two weeks late bc this is his life
WARNINGS: none
i. around town
[ Minato wants to sleep so, so, so, so bad, and looks like he needs it— dark circles under his eyes, disheveled hair, feet that drag and wear down the bottoms of his shoes when he makes a beeline straight for home. First things first, check that the cat's still alive. Second, resist the siren call of bed so he can take a quick shower, grab some clothes out of the closet, empty the cupboards and set aside some bags next to the front door to pick up later. Zee had called it a vacation, and he knows he should try to get some proper rest, but he can't. It's a supply run day, and he needs to make every minute count.
Grocery store for food. The pharmacy for meds. Charger, battery, extra socks, a package of Kobe beef that he weighs in one hand and deliberates whether he should buy this (he buys this). Both sleeping pills and energy drinks, as if he can't decide how to live, and honestly, he doesn't.
It feels like end times, a little, him way out of his element and wondering what is he even doing? Why is he doing this? What's the point. Everything gets dumped into the trunk of his car, but then he just. leans back against it, hands smothering his face and looking like he wants to scream or cry but can't do either, so he just hisses a long sigh through his teeth. He wants to sleep, but he can't. Not yet.
ii. velvet room
[ When he does sleep, it's past midnight and he doesn't go home. He goes to the Velvet Room next to Pizza Port so he can crash somewhere that's hopefully deserted like it's always been the handful of times he's gone inside, the elevator music being all that lifts his feet from step to step as it fills his soul with calm.
He's walking right past that dinky little chair and crashing on Igor's couch; he's not here, he can't stop him. ]
(note: only Persona protags/Liz may enter the Velvet Room, but those with high spiritual sense can notice the door and call out to Minato trying to open this fake door at the dead end of an alleyway)
iii. waffle house mailbox
[ The first afternoon was a supply run, thrown together feverishly but it'd gotten done, so the next morning, Minato makes sure to drop off his apartment rent for the next two months in case Zee needs them held hostage for that long, and his last stop for the day is the mailbox in front of the waffle house. He looks at the ticket in his hands:
"bat with nails driven into it"
and prays this isn't a live bat. He gets his wish, but who knows if this is any better? Those sure are nails jutting out of the wooden bat, rusted but sharp when Minato almost drops it in surprise, covered with so much blood that it's soaked into the wood and the cloth grip and would be impossible to wash out.
A smarter person would stick this right back into the mailbox before somebody can see. Minato is not that smart a person, so there he goes dragging this bloody nail bat throughout town, head bowed with his hair overshadowing dark eyes and looking very much like he's out to kill. He just. Really wants to go home and sleep. ]
wc.
[ general meetings; he can be found anywhere around town, so feel free to make up a location ]

mmmmm ii, all her guest talks take place here why not this one too
...Perks, she supposes, and she's quiet when she enters sometime after three in the morning; she's quiet when she realizes there's someone here already, the elevator familiar in its ever-ascending feel, and a quick glance shows it isn't Minako deciding to while away a sleepless night here.
No, that's...
Elizabeth keeps her mouth shut and settles in the dinky little chair opposite of him, carefully setting her bag down so it won't disturb his rest. She wants to study him for a bit, sorting out her feelings (because this is something she can't ignore now; if he's here it only means one thing, which is slightly frightening but not as frightening, she finds, as it used to be) and how to address it (casually, maybe, like she isn't surprised to see him and he shouldn't be surprised to see her since she'd been meaning to check in on him anyway and this is then a very fortunate happenstance).
In the end, she gets up and goes to kneel beside him instead, poking his cheek firmly a few times. Up and at 'em, Minato. Sorry. ]
My apologies for disturbing the rest you likely need, however... Please wake up, Arisato. The Velvet Room is no place to sleep.
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Elizabeth. His brain helpfully supplies a name, but not the reason why she would be here. For a moment, he wonders if this is another memory, but the weight of his limbs, the dark brown hair that he pushes out of his eyes- only to fall back into place- tells him otherwise, and he sits up, scooting over to leave the other half of the couch free to sit.
He opens his mouth. Closes it. Tries again. ]
Good morning. [ ...He searches for something more intelligent to say, but his brain's not quite awake yet. A glance at his watch also tells him it's the middle of the night. ]
It's comfortable here. Just give me two more hours.
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III
[She rounds the corner on a bike, purchases in bags, and skids to a stop when she sees Minato. The sight of the nailbat's so outrageous and out of place it takes her mind a few moments to process it, to parse what the darker grey splotches dotting it mean.]
[And all her indirect frustration boils to the surface in a flash, after a month of restraining herself. The heartstone broadcasts a sharp lash of anger, like an electric shock.]
The hell's wrong with you?! Is that blood?!
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Everything that he'd been trying to fix over the last several weeks, all the bad habits and knee jerk reactions he'd tried so hard to be aware of, all of that is thrown out the window as he clams right up, face hardened like a mask and voice a whisper directed at Freya's feet. ]
It's none of your business.
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...
I -- for I hope you understand I'm gonna do all the prompts you'e gonna hate me
But lo, here he came on his own vehicle - a motorcycle just as he's out of the grocery store. Since he hadn't found him, he had gone along the usual paths and haunts, hoping to run into him. Taking his helmet off, his eyebrows frowned in worry.]
Ahh. There you are! I thought you would have gone back to sleep.
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If I go to bed now, I won't wake up again. It's at the end of my to-do list. [ But- "there you are"? ] ...Did you need me for something?
Also I can't spell, I'm sorry
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I
but when he sees that familiar... well, more likely hears that hiss and instantly spots who's making it? it makes him forget about the slowly accumulating stress and the fact he had to temporarily close the cafe. his eyes go wide. and while clutching his bag close to his side, he jogs over while minding others. ]
You're okay.
[ he thinks about opening his arms, to give Minato a hug, but. well. instead, he'll lean over him as best as he can with a tired smile. ]
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I'm okay. ...It'd kinda weird seeing you outside the shop.
[ He tries to laugh it off, but. He knows they don't really hang out outside of work, and the thought also plants a little seed of worry when he remembers Jamie texting him, wondering if Leon would be alright without three of his employees, and the guilt Minato has for ever leaving the city in the first place. ]
You're doing alright?
[ Better than he is, Minato hopes. ]
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iii
But she's also riding high on intensified emotions and nearly drops her tote back when she sees her friend dragging both himself and the bat down the street in broad daylight.]
Minato-san...?
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He draws a breath and shakes his head at the same time, trying to clear the fog out of his mind. ]
Hey. I- ...I didn't think I'd run into anybody I know. [ a pause ] They sent us back for a day.
[ As if that explains anything of what he's doing, but he fumbles with what pieces of information to offer for it all to make sense. ]
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1
She shouldn't say something, should she? Except, well...]
You really shouldn't handle it that way, out of the cooler. That beef needs to be kept cold...otherwise it won't keep that marbling.
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Sorry. I don't really know much about beef. Does the marbling matter if it'll be eaten raw?
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iii.
hinata doesn't look scared, at least, so much as kind of worried...? ]
Ummmmmm...you know, you look kind of dead on your feet...
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It's been a long month... But it's the same for everybody, isn't it? This is the storm.
[ He knows he's not the worst off. The people in the city have it hard too. He's not allowed to complain, or give in. ]
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ii
Tonight is not the night, even at this ungodly hour. He opens the door, ready for the jail cell to appear, but what he sees is the elevator. ]
So you share the same room as your sister. [ That's strange, but he doesn't hold onto that. With a few strides, he's by the couch, looming over Minato. ] Long day?
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Minato only mumbles in response at first, turning over so that he's lying lengthwise on his back instead of curled up on his side, before drawing his knees up so that Akira can side on the other end if he really wants to. ]
This is Minako's room...? Then why are you here?
[ WHAT ARE YOU GETTING UP TO WITH MY SISTER, HUH?? ]
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I
That negativity wasn't there, though. Life in Freshens continued as usual without the depressed mood.
Lucy had found the orchid display. The one she was holding up was one of the smaller white ones, and it did nothing to hide her face. Which had not a suggestion, not a lightening of her expression, but an unmistakable broad smile on it.
What the fuck.]
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Every fiber of Minato's being is screaming at him to walk away before Lucy notices him and he destroys what little bubble of happiness she's in right now, but he can't help but stand there in wonderment with his cart blocking the canned food aisle and stare. He can't help but inch forward, using the shopping cart as a physical barrier between them, and try to catch her eye. ]
Are you buying flowers for somebody?
[ It's none of his business. But he's curious anyways- is that smile for the flowers, or for a person? What is it that can make Lucy Takada smile like that? ]
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iii
[Minato mentioned having a bow and arrow earlier. A bloody bat is something else entirely and it sends Nanashi into shock. His senpai looks like one of those bullies he beats up after school. It's a little more than just disturbing.]
Only delinquent thugs look the way you do now. I know you're not like that. So what's your deal?
[He seemed reliable and easy to talk with. Nanashi isn't gonna pick a fight with him over this.]
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So it's weird, for somebody to look at him and think of that. And it's with infinite gratitude that Minato realizes that Nanashi believes in him, rather than assumptions based on outward appearance. ]
...Waffle house mailbox.
[ is all the explanation that he offers. It's all he needs to say, he thinks, since Nanashi knows about Retrospec, about things people get from the mailbox, about how this isn't really his, not really. ]
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i
Honestly, Clover almost misses Minato and is about to completely pass him by, but she sees him in the reflection of a window and she can't ignore him, not after what he's said to her. ]
Were the last two weeks especially terrible?
[ Or is it something more? ]
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Yeah, [ he admits softly, standing up a little straighter, deciding there's no point, and settling back against his car. ] I need to be strong enough to handle it so I don't hold people back. But it's been tough. I don't know how you do it.
[ You, specifically you, who he knows tries to help out wherever she can, however she can, and still come back to the city to get shit done without being on the verge of breaking. ]
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https://i.imgur.com/Yqbcy8q.png
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i meant good not food... nts no tags when i'm hungry
minato would lie for food
he sure would
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iii
[A very worried Ishida is staring pointedly at the bloody nail bat that he's just dragging around town. H-he doesn't think that Minato is up to anything bad, but this is still something to address! Not to mention, he looks very... not with it.
But he's not going to run or call the cops, not yet.]
Why are you carrying such a dangerous object around so casually?!
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Mm... Didn't feel like driving today, so this is the only way to get it home. [ He glances down at his watch; it's still morning. ] I need to get there before noon, so I don't have much time, sorry.
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iii
[ And Jamie's here!
And an unreasonably large and sinister-looking weapon is here.
Also, Jamie's small styrofoam box of waffle house leftovers... is here. ]
I thought... you'd gone back or something already?
Since you weren't home last night.
Anyway, do you want some hash browns? They're still warm.
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He holds the bloody bat out, handle to the sky. ]
Trade you.
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i
But.
It sure does look like he is having A Day.
Hence why she'll hold her groceries a little bit closer to her as she approaches, tilting her head. And for the sake of my own sanity please just assume she's talking to him in Japanese until further notice.]
Arisato....? Are you sleepy again....?
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Anyways, Japanese forever: ]
I'll be fine. Got a shopping list I need to get through.
[ He holds up a sheet of notebook paper with the list scrawled on it. It's mostly snacks, and also a request for a pair of socks. ...He did not write this list. ]
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II
Minato.
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Either way, his feet carry him to her; he reaches out, remembers, and then lets his hand fall again. ]
I'm back. I'm- ...It's good to see you, Angela.
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