dante "walking dumpster fire" rantanen | riku (
darkinferno) wrote in
recolle2017-04-21 12:16 pm
Entry tags:
I'd say you're looking at a Boeski, a Jim Brown, a Miss Daisy, two Jethros and a Leon Spinks...
WHO: Dante, Ritsu, Isa, Naoto, Gabranth, Togusa, Juzo, Fynn, and Ardyn
WHERE: Around town, the Recollé Art Museum, the Recollé Police Department
WHEN: Forward-dated to April 27th
WHAT: Bad friends, bad decisions, bad results. Dante tries to help out a pal and ends up in police custody as the RPD captures the wrong guy. Shenanigans ensue! Don't piss off the police force, folks.
WARNINGS: None ATM, will edit if any come up!
It's a pretty normal day, all things considered, when Dante finds himself being grabbed and hauled off the street by a vise-like grip around his forearm.
He's reacting the moment his brain realizes what's happening, twisting over his shoulder and wrenching his arm free, but he's already halfway into the alleyway, and once he recognizes the dirty brown hair and too-wide eyes, he steps the rest of the way into it himself. "Jamie."
"Hey, Dante."
Dante folds his arms, taking a half-step back to rest his weight on his back foot. "I haven't seen you in years. What're you doing here?"
"I live here now," the boy says, giving him a wide shrug and a grin. "Have for a while. I've seen you around, you know. Just haven't talked to you. Been busy. Lots of stuff to do. Can we talk?"
"We are talking."
"No, not like that," Jamie says, shaking his head. He's gotten taller, Dante notes, but he still has a lot of the same mannerisms. The sharp, quick movements, the way his eyes are constantly moving, checking around them at all times for something, anything, that might warrant his attention. "I want to talk. You know, like we used to. Jobs."
Ah. Dante frowns, realizing what this is going to be about, but nods. "Sure, why not? Tell me what you've got planned."
"Not here." The boy shakes his head again, eyes roving the alley. "Too many people. They might take shortcuts. Follow me."
He leads the way, picking alleys and streets seemingly at random until they reach somewhere that seems secluded enough for Jamie's taste, perched up on a wall that blocks off the end of an alleyway. Then and only then does Jamie turn his attention back to Dante, brown eyes wide with excitement as he leans toward him. "I've been picking up jobs again. Like the gang used to, back in Maldon-on-Hudson."
"Picking up? You mean you're working for someone?"
Jamie shakes his head, seeming pleased with himself. "I make my own jobs. Stake a place out. Watch and see where their security fails. Then strike. You know that jewelry store three weeks ago? That was me. And the computer store a week and a half back. Easy targets. They didn't know what hit them."
"And I'm guessing you're coming to me now because you've got another place in mind." Dante folds his arms, leaning against the building behind him, considering the idea. He's already certain this isn't something he wants to be a part of: after all, it's getting wrapped up in idiocy like this that got him into trouble in the first place, sent back to his amma like a pet that had had more energy than its owners had expected. His parents had only been trying to protect their legacy by sending him back; he'll be risking that again if he agrees to help Jamie out.
"Yeah." Jamie nods, his excitement evident in his eyes. "I've got everything figured out. I just need someone beside me."
"I don't know. I've been keeping my nose clean, Jamie. I kind of want to keep it that way."
The other boy looks almost offended at his words. "You? Keeping your nose clean?"
Dante mirrors his expression. "I didn't get into that much trouble!"
"Got nabbed transporting, didn't you?" Jamie snorts. "That's trouble."
"Hey! You're the one asking me for help here!" Dante exclaims, scowling. "If you're gonna dig that up, you can break in wherever it is you're going on your own."
"Quiet down!" Jamie hisses, expression growing darker. "You wanna tell the whole city my plans?"
"Nobody's listening." Dante gestures to the streets around them. "Quiet as the grave. Now, if you want my help, start talking. Where, when, and what do you need from me? I'll decide whether I'm in based on that."
"Uh-uh. Commitment first. Then details."
"No way. You wanna hitch your wagon to my star, you tell me what we're planning first. I'll be damned if I'm going in on a job that's doomed to failure from the start."
Jamie scowls, seeming to consider Dante's words, then sits back. "Fine. But you're not gonna hear me out and then go narcing on me, right? I'll know who it was."
"I'm not gonna narc," Dante says, rolling his eyes. "Now where's the target?"
For a moment, there's silence between the two boys. And then Jamie seems to relent. "Art museum, Thursday night. Probably midnight, 1 A.M."
"The art museum?"
"Yeah. A few good pieces there. Easy pickings. Cut 'em outta the frames, done deal. We can split it 70/30."
Dante frowns. "And how are you planning on getting in?"
"We'll go from the top. It's why I need you. You can get us equipment for a top entry."
Yeah, this sounds like idiocy. "So you want to break into the art museum by going in through the top--give me more details, dude."
Jamie shakes his head, looking as though he's refocusing himself to the conversation. "Okay. Roof's got an access hatch. Locked, I can't get it. But you--you can pick it, right? Then we go down the hatch, into the top floor. I know the layout, the cameras, the guards. I can get us around."
"And you need equipment?"
A nod. "Picks. Transport cases. These're gonna ship out to NYC. Can't have them getting damaged. A kid like me, I buy 'em, I'm suspicious. You, you got money. You can buy 'em without suspicion. Something to disable invisible fences. You can get that, can't you?"
"By Thursday night?"
"Yeah."
"What'd you do with the stuff from the jewelry store? Or the computers?" Dante asks, trying to buy time. It's a stupid idea. A monumentally stupid idea. A jewelry store, fine. An electronics store, fine. Maybe stupid, but fine. The art museum? Jamie is all wiry muscle and dexterity, but Dante still can't see how this is going to work. More likely the boy's going to get caught, and wind up doing time. How old even is he? He's got a couple years on him, sure, but Jamie still can't be more than 21 or 22. The kid can't even grow a beard yet, even though it's apparent from the uneven stubble he's trying.
"That? Fences in the city," Jamie says, waving a hand. "Don't know much about art, though. Got a guy in New York who'll sell 'em. So what do you say?"
If he says no, he's not entirely sure that Jamie won't try it anyways. He's always been the type of person to go for the long shot, even when there's no chance of it actually working out. But if he says yes, and then shows up without any of the equipment they need... maybe he can turn him around? At the very least, he can convince him that through his own scoping out of the place, it'd be too impossible as a target.
"All right," Dante says. "Thursday night. Meet at 11:30 on top of the art museum. There's nothing to watch out for up there, right? No cameras or perimeter alarms?"
"None."
"And we split it 50/50."
"You don't need it! 70/30."
"You aren't getting in without my help, are you? 50/50."
Jamie considers it. "...60/40. It's my mark. My job. I'm just inviting you."
"Deal." And Dante reaches out to shake hands.
Thursday night.
WHERE: Around town, the Recollé Art Museum, the Recollé Police Department
WHEN: Forward-dated to April 27th
WHAT: Bad friends, bad decisions, bad results. Dante tries to help out a pal and ends up in police custody as the RPD captures the wrong guy. Shenanigans ensue! Don't piss off the police force, folks.
WARNINGS: None ATM, will edit if any come up!
It's a pretty normal day, all things considered, when Dante finds himself being grabbed and hauled off the street by a vise-like grip around his forearm.
He's reacting the moment his brain realizes what's happening, twisting over his shoulder and wrenching his arm free, but he's already halfway into the alleyway, and once he recognizes the dirty brown hair and too-wide eyes, he steps the rest of the way into it himself. "Jamie."
"Hey, Dante."
Dante folds his arms, taking a half-step back to rest his weight on his back foot. "I haven't seen you in years. What're you doing here?"
"I live here now," the boy says, giving him a wide shrug and a grin. "Have for a while. I've seen you around, you know. Just haven't talked to you. Been busy. Lots of stuff to do. Can we talk?"
"We are talking."
"No, not like that," Jamie says, shaking his head. He's gotten taller, Dante notes, but he still has a lot of the same mannerisms. The sharp, quick movements, the way his eyes are constantly moving, checking around them at all times for something, anything, that might warrant his attention. "I want to talk. You know, like we used to. Jobs."
Ah. Dante frowns, realizing what this is going to be about, but nods. "Sure, why not? Tell me what you've got planned."
"Not here." The boy shakes his head again, eyes roving the alley. "Too many people. They might take shortcuts. Follow me."
He leads the way, picking alleys and streets seemingly at random until they reach somewhere that seems secluded enough for Jamie's taste, perched up on a wall that blocks off the end of an alleyway. Then and only then does Jamie turn his attention back to Dante, brown eyes wide with excitement as he leans toward him. "I've been picking up jobs again. Like the gang used to, back in Maldon-on-Hudson."
"Picking up? You mean you're working for someone?"
Jamie shakes his head, seeming pleased with himself. "I make my own jobs. Stake a place out. Watch and see where their security fails. Then strike. You know that jewelry store three weeks ago? That was me. And the computer store a week and a half back. Easy targets. They didn't know what hit them."
"And I'm guessing you're coming to me now because you've got another place in mind." Dante folds his arms, leaning against the building behind him, considering the idea. He's already certain this isn't something he wants to be a part of: after all, it's getting wrapped up in idiocy like this that got him into trouble in the first place, sent back to his amma like a pet that had had more energy than its owners had expected. His parents had only been trying to protect their legacy by sending him back; he'll be risking that again if he agrees to help Jamie out.
"Yeah." Jamie nods, his excitement evident in his eyes. "I've got everything figured out. I just need someone beside me."
"I don't know. I've been keeping my nose clean, Jamie. I kind of want to keep it that way."
The other boy looks almost offended at his words. "You? Keeping your nose clean?"
Dante mirrors his expression. "I didn't get into that much trouble!"
"Got nabbed transporting, didn't you?" Jamie snorts. "That's trouble."
"Hey! You're the one asking me for help here!" Dante exclaims, scowling. "If you're gonna dig that up, you can break in wherever it is you're going on your own."
"Quiet down!" Jamie hisses, expression growing darker. "You wanna tell the whole city my plans?"
"Nobody's listening." Dante gestures to the streets around them. "Quiet as the grave. Now, if you want my help, start talking. Where, when, and what do you need from me? I'll decide whether I'm in based on that."
"Uh-uh. Commitment first. Then details."
"No way. You wanna hitch your wagon to my star, you tell me what we're planning first. I'll be damned if I'm going in on a job that's doomed to failure from the start."
Jamie scowls, seeming to consider Dante's words, then sits back. "Fine. But you're not gonna hear me out and then go narcing on me, right? I'll know who it was."
"I'm not gonna narc," Dante says, rolling his eyes. "Now where's the target?"
For a moment, there's silence between the two boys. And then Jamie seems to relent. "Art museum, Thursday night. Probably midnight, 1 A.M."
"The art museum?"
"Yeah. A few good pieces there. Easy pickings. Cut 'em outta the frames, done deal. We can split it 70/30."
Dante frowns. "And how are you planning on getting in?"
"We'll go from the top. It's why I need you. You can get us equipment for a top entry."
Yeah, this sounds like idiocy. "So you want to break into the art museum by going in through the top--give me more details, dude."
Jamie shakes his head, looking as though he's refocusing himself to the conversation. "Okay. Roof's got an access hatch. Locked, I can't get it. But you--you can pick it, right? Then we go down the hatch, into the top floor. I know the layout, the cameras, the guards. I can get us around."
"And you need equipment?"
A nod. "Picks. Transport cases. These're gonna ship out to NYC. Can't have them getting damaged. A kid like me, I buy 'em, I'm suspicious. You, you got money. You can buy 'em without suspicion. Something to disable invisible fences. You can get that, can't you?"
"By Thursday night?"
"Yeah."
"What'd you do with the stuff from the jewelry store? Or the computers?" Dante asks, trying to buy time. It's a stupid idea. A monumentally stupid idea. A jewelry store, fine. An electronics store, fine. Maybe stupid, but fine. The art museum? Jamie is all wiry muscle and dexterity, but Dante still can't see how this is going to work. More likely the boy's going to get caught, and wind up doing time. How old even is he? He's got a couple years on him, sure, but Jamie still can't be more than 21 or 22. The kid can't even grow a beard yet, even though it's apparent from the uneven stubble he's trying.
"That? Fences in the city," Jamie says, waving a hand. "Don't know much about art, though. Got a guy in New York who'll sell 'em. So what do you say?"
If he says no, he's not entirely sure that Jamie won't try it anyways. He's always been the type of person to go for the long shot, even when there's no chance of it actually working out. But if he says yes, and then shows up without any of the equipment they need... maybe he can turn him around? At the very least, he can convince him that through his own scoping out of the place, it'd be too impossible as a target.
"All right," Dante says. "Thursday night. Meet at 11:30 on top of the art museum. There's nothing to watch out for up there, right? No cameras or perimeter alarms?"
"None."
"And we split it 50/50."
"You don't need it! 70/30."
"You aren't getting in without my help, are you? 50/50."
Jamie considers it. "...60/40. It's my mark. My job. I'm just inviting you."
"Deal." And Dante reaches out to shake hands.
Thursday night.

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